In “The Haunting of a Modernism Conceived Differently,” Matthew Bowman reexamines some of Crimp’s groundbreaking essays published in October that established postmodernism as a crucial theoretical concept answerable to recent developments in art and its criticism. He discusses how categorial separations that are thought to be integral to modernism (e.g. medium specificity and teleology) are undercut in Crimp’s proposal of a “modernism conceived differently” that figuratively haunts his theorization of postmodernism. Bowman seeks to recover the relation of postmodernism to this alternative modernism in several examples of Crimp’s influential scholarship. He aims not to treat this other modernism as an intellectual aberration, a failure of argumentative consistency, but rather to spotlight its critical fecundity and its betokening of Crimp’s early interest in deconstruction.