Curators as keepers and exhibition makers: The British Museum’s African Galleries

Foster, Nicola (2023) Curators as keepers and exhibition makers: The British Museum’s African Galleries. Museum History Journal. pp. 1-18. ISSN 1936-9824

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It is generally assumed that anthropological artefacts are fundamentally different from art works. This article questions aspects of this distinction by exploring the role of curators in anthropological collections, with a focus on the Africa Galleries at the British Museum. It looks at the complexities faced by the curators of a controversial collection, which is contested as ‘heritage’ and the curatorial practices used to address it in the late twentieth and early twenty-first century. It explores questions such as: can curatorial work narrate the Other outside power structures? How might it narrate other cultures? And can there be collaborations across cultures without collapsing into existing power structures?

Johannes Fabian has argued that ethnography has two ‘moments’: the first involves close exchange and collaboration with other communities during field trips. The second involves the construction of an unchanging temporality through which another culture becomes Other and thus excluded from change. This exclusion applies a power relationship. The article demonstrates how the curators sought to develop exhibitions which critiqued the second moment and built on the first by collaborating with living artists. In so doing the curators also questioned the status of works in anthropological collections.

Item Type: Article
Uncontrolled Keywords: British museum, curatorial practices, exhibitions, anthropology and art, African art
Subjects: G Geography. Anthropology. Recreation > GN Anthropology
N Fine Arts > N Visual arts (General) For photography, see TR
Divisions: Faculty of Arts, Business & Applied Social Science > Department of Arts & Humanities
SWORD Depositor: Pub Router
Depositing User: Pub Router
Date Deposited: 04 May 2023 09:00
Last Modified: 04 May 2023 09:00

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