Photographic audiences, national identities, and ethics: reflections on Lee Millar's war

Bowman, Matthew (2014) Photographic audiences, national identities, and ethics: reflections on Lee Millar's war. Art Exchange.

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Abstract

This essay was written as a catalogue text for an exhibition of Lee Miller's war photographs that was held in Art Exchange, University of Essex. It discusses Miller's photographs through their contrast to the better-known images that were published in LIFE Magazine in the 1940s. In this essay, I suggest that this aspect of Miller's photography was subtly influenced by the anti-war positions of the Surrealist group, which was previously associated with,

Item Type: Article
Uncontrolled Keywords: art, fine art, exhibition
Subjects: D History General and Old World > D History (General)
D History General and Old World > D History (General) > D731 World War II
E History America > E151 United States (General)
N Fine Arts > N Visual arts (General) For photography, see TR
T Technology > TR Photography
Depositing User: Matthew Bowman
Date Deposited: 27 Jun 2022 13:11
Last Modified: 27 Jun 2022 13:11
URI: http://oars.uos.ac.uk/id/eprint/2567

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